MENU

Born in 1977 in Mexico City. Influenced by living in different parts in Mexico and United States Almanza Pereda grew interest in how different cultures perceive danger and risk. Almanza’s endeavor focus on materiality concepts by challenging objects conceptually and physically in Sculptures and underwater photographs and videos .His work explores the culturally specific paradigms of safety, danger and architecture through the juxtaposition and pairing of materials and objects. These juxtapositions achieve a sense of tension from makeshift environments with specific connotations, such as fragility, value, weight and power.

Almanza Pereda has a Master’s degree in Arts from Hunter College, New York. He has done solo shows in different institutions like San Francisco Art Institute; Museo El Eco,Mexico City; Art in General New York; Stanley Rubin Center, El Paso TX; College of Wooster Art Museum Ohio. His work has been featured at the Istambul Biennal, ASU Museum; Museo de Arte Moderno, Mexico City; Dublin Contemporary 2011, 6a Bienal de Curitiba Brazil, El Museo del Barrio and the Queens Museum, both in New York. Alejandro has attended the Skowhegan and Bemis Art Residencies program as well as a grant recipient of CIFO Grant Program, the Harpo Foundation, Sistema Nacional de Creadores in México, Harker Award for Interdisciplinary Studies at SFAI, Theodore Randall International Chair in Art and Design at Alfred University and the Black Cube Artist Fellowship. His work was featured in Art 21 close up series.  He is currently a member of LA RUBIA TE BESA an Art band project. He lives in Guadalajara Mexico.

En sus instalaciones, Alejandro Almanza Pereda ensambla objetos cotidianos como bloques de cemento, tubos fluorescentes, bolas de boliche, muebles viejos y electrodomésticos en posiciones precarias. Almanza despoja el significado original de los objetos y los reacomoda apilándolos en combinaciones de balance y contrapeso improbables.

Su trabajo explora los paradigmas culturales de seguridad y peligro a través de la yuxtaposición y la unión de distintos objetos y materiales. Estas estructuras logran una sensación de tensión en ambientes improvisados con connotaciones específicas de conceptos como la fragilidad, el valor y el peso.