Artista: Gabriel Rico
Impresión I from the series -Reducción objetiva orquestada-, 2019
Edition of 10, signed by the artist
High quality cotton paper printing.
90 x 50 cm
Información adicional sobre la pieza
In this series Gabriel Rico creates equations replacing the usual characters used to formulate them, by elements lacking of sense in calculus and from this exercise he alludes to the aesthetic potential immersed in the composition of this type of language (equations). At the same time he graphicallys display the compositional and artistic possibilities that are generated from the mixture of different disciplines, in this case applied sciences and graphic art.
In this case the sculpture is postulated as a visual equation without a concrete result, one that accepts the natural beauty of his elements as fundamental symbols for sculptural composition, as parts of the mental calculation that is generated naturally in the viewer when is in front of common mathematical signs in their school experience and some elements that certainly has an experience of life (rocks, knifes, fruits, plates, branches, etc.)
The sculptures in this series are not a simple juxtapositions of syllogisms, it is syllogisms placed in a certain order, and the order in which these elements are placed is much more important than the elements themselves.
PRECIO: 1,500 Dólares
Gabriel Rico’s work is characterized by the interrelation of seemingly disparate objects. A self-proclaimed “ontologist with a heuristic methodology,” Rico pairs found, collected, and manufactured materials to create sculptures that invite viewers to reflect on the relationship between humans and our natural environment. He frequently uses neon, taxidermy, ceramics, branches, and more personal pieces of his past to create an equation or formulation, achieving a precise geometry despite the organic, roughly hewn character of his materials. His installations ironically and poetically combine natural and unnatural forms, insisting on a necessary contemplation of their asymmetry as well as our own cultural and political flaws.
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